Contents

Manuel Jobert
Avant-propos ……………………………………………………………………. 9
Linda Pillière
The transparency of Style: an impossible goal?……………………… 13
Olivier Simonin
Typologie des contenus implicites ………………………………………… 27
Hélène Collins
La relative transparence de l’hypallage………………………………… 43
Elise Louviot
Poétique de la transparence :
le cas du poème hagiographique vieil-anglais ……………………….. 61
Jacqueline Fromonot
L’utilisation de l’alternance codique dans la fiction
de W.M. Thackeray : entre opacité et transparence………………… 75
Jean-Jacques Lecercle
Lecture deleuzienne d’une page de Dracula…………………………… 87
Séverine Letalleur-Sommer
Rôle de la vision et du contexte visuel dans la construction
du sens – the Oval Portrait 2………………………………………………… 99
Mireille Quivy
Miroirs et transparence. Virginia Woolf, An Unwritten Novel … 115
Simone Rinzler
De quoi la transparence est-elle le nom ? Le cas de
the Suspicions of Mr Wicher ……………………………………………….. 127
Catherine Paulin
Language variation in diasporic texts : transparency or opacity ? 145
Catherine Chauvin
La (non-)transparence de la « transcription » et son
utilisation : représentation du « Mokni » dans
The Book of Dave de Will Self …………………………………………….. 157
Grégoire Lacaze
Analyse contrastive des changements syntaxiques et
sémantiques affectant le discours direct dans the Pearl
et La Perle de John Steinbeck ………………………………………………. 173
Contributors ……………………………………………………………………………… 191
Abstracts…………………………………………………………………… 195

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Etudes-Stylistique-Anglaise-N°5.pdf

Contents

Manuel Jobert, Dan McIntyre & Clara Mallier
Foreword ………………………………………………………………………….. 9
Geoffrey Leech
Virginia Woolf Meets Wmatrix …………………………………………….. 15
Mick Short
Discourse Presentation and Speech (and Writing,
but not Thought) Summary ………………………………………………….. 27
Craig Hamilton
“The Rhetoric of Text” Reconsidered in Fiction and
Autobiography …………………………………………………………………… 43
Claire Majola-Leblond
The Three S’s of Stylistics……………………………………………………. 55
Linda Pillière
Mind Style: Deviance from the Norm? ………………………………….. 67
Clara Mallier
The Meaning of Concessive Clauses in Jim Harrison’s Work:
a Grammatical Reading of Mind Style ………………………………….. 81
Michael Toolan
Is Style in Short Fiction Different from Style in Long Fiction?…. 95
Vanina Jobert-Martini
Readerly Involvement in the First Chapter of Edna O’Brien’s
The Country Girls………………………………………………………………. 107
Marie-Agnès Gay
Breach of Contract: Pragmatic Variations on a Theme in
Richard Ford’s Short Story “Privacy”………………………………….. 119
Dan McIntyre
Language and Style in David Peace’s 1974: a Corpus
Informed Analysis …………………………………………………………………. 133
Marie-Pierre Mounié
Imitation, Style, Fiction: Ethics of Writing, Ethics of Reading
in Chatterton, by Peter Ackroyd…………………………………………… 147
Manuel Jobert
Total Report in Alan Bennett’s “A Cream Cracker Under
the Settee” ………………………………………………………………………… 163
Lesley Jeffries
Readers and Point-of-view in Contemporary Poems:
a Question of Pronouns ………………………………………………………. 175
Simone Rinzler
Coetzee’s Style in Disgrace………………………………………………….. 191
Contributors ……………………………………………………………………………… 205
Abstracts…………………………………………………………………… 209

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Etudes-Stylistique-Anglaise-N°4.pdf